Jill Drowley
| Year | Play | Rôle(s) |
|---|---|---|
| 1954 | Queen Elizabeth Slept Here | Katie; Sound Effects |
| 1953 | The Hollow | Sound Effects |
| 1953 | The Importance of Being Psmith | Ilse, an Austrian maid |
| 1953 | See How They Run | Sound Effects |
| 1952 | Treasure Hunt | Veronica Howard |
| 1952 | The Heiress | Sound Effects |
| 1952 | The Artist | Genya |
| 1951 | The Lady's Not For Burning | Alizon Eliot |
| 1951 | Mary Blake | Music |
| 1951 | Playbill | Setting construction & painting |
| 1951 | Baa, Baa Black Sheep | Oenone |
| 1950 | Arsenic and Old Lace | Stage Staff |
| 1950 | Ten Little Niggers | Sound Equipment |
| 1950 | Tony | Faith |
| 1949 | Thark | Kitty Stratton |
| 1949 | Tony | Faith |
| 1948 | When Knights Were Bold | Kate Pottleberry |
| 1947 | Carpet Slippers | Ellen; Dancer |
| 1947 | Vassals Departing | Rosalind, a Bright Young Thing |
| 1947 | Quiet Weekend | Miranda Bute |