| Year |
Play |
Rôle(s) |
| 1954 |
Waters of the Moon |
Stage Gang |
| 1953 |
Pygmalion |
Stage Gang |
| 1953 |
The Hollow |
Stage Gang |
| 1953 |
The Importance of Being Psmith |
Stage Staff |
| 1953 |
The Gioconda Smile |
Setting construction & painting; Stage Staff |
| 1953 |
Pride and Prejudice |
Stage Manager; Setting design |
| 1953 |
See How They Run |
Stage Carpenter |
| 1952 |
Dear Octopus |
Stage Staff |
| 1952 |
Treasure Hunt |
Setting construction & painting; Stage Staff |
| 1952 |
The Heiress |
Scenery construction & painting |
| 1952 |
The Cocktail Party |
Stage Staff |
| 1952 |
The Vigil |
Stage Staff |
| 1952 |
Off the Record |
Setting construction & painting; Stage Staff |
| 1951 |
The Lady's Not For Burning |
Stage Manager |
| 1951 |
Lady Windermere's Fan |
Stage Carpenter; Setting construction & painting; Stage
Staff |
| 1951 |
The Cradle Song |
Setting construction |
| 1951 |
Mary Blake |
Stage Director for the Committee |
| 1951 |
The Cock's Stride |
Stage Director |
| 1951 |
Playbill |
Stage Manager |
| 1951 |
Baa, Baa, Black Sheep |
Setting construction & painting |
| 1950 |
Arsenic and Old Lace |
Stage Manager |
| 1950 |
Ten Little Niggers |
Directing scenery construction; Stage Carpenter; Stage
Staff |
| 1949 |
Thark |
Stage Manager |
