Elisabeth Taylor
| Year | Play | Rôle(s) |
|---|---|---|
| 1963 | Salad Days | Musical Director |
| 1962 | Uncle Vanya | Effects |
| 1961 | Meet Me By Moonlight | At the Pianoforte |
| 1957 | The Merchant of Venice | Directing Bishop Fox's Recorder Group |
| 1956 | The Confidential Clerk | Producer |
| 1954 | The River Line | Mrs Muriven |
| 1954 | Bonaventure | Producer |
| 1952 | Dear Octopus | Hilda Randolph |
| 1952 | The Heiress | Sound Effects |
| 1952 | The Cocktail Party | Lavinia Chamberlayne |
| 1952 | The Artist | Producer; Lydia |
| 1951 | The Lady's Not For Burning | Producer |
| 1951 | The Cradle Song | Prioress |
| 1951 | Baa, Baa Black Sheep | Producer |
| 1950 | Arsenic and Old Lace | Sound Effects |
| 1949 | After The Deluge | Stage Manager |
| 1948 | Frieda | Producer |
| 1947 | Carpet Slippers | Properties |
| 1947 | Quiet Weekend | Stage Manager |
| 1947 | Lucrezia Borgia's Little Party | Producer |
| 1946 | This Happy Breed | Assistant Stage Manager |
| 1946 | Rebecca | Assistant Stage Manager |
| 1946 | Such Stuff As Dreams | Producer |
| 1946 | Danse Macabre | Producer |
| 1945 | Housemaster | Assistant Stage Manager |
| 1945 | Busman's Honeymoon | Assistant Stage Manager |
| 1944 | Robert's Wife | Assistant Stage Manager |
| 1944 | Rookery Nook | Assistant Stage Manager |
| 1944 | The Middle Watch | Assistant Stage Manager |
